In my work, I use both digital scanning and analog darkroom techniques to explore the intricate details of botanical specimens. For digital scanning, I position the botanical matter on a flatbed scanner, allowing light to pass through from above and below to capture their textures and translucency. In the darkroom, I place botanical matter directly in a traditional analog color enlarger to reveal macroscopic details. Both camera-less processes produce vibrant, larger-than-life inverted photographic prints, transforming each specimen's textures and colors through documentation, magnification, and abstraction, unveiling a hidden world of complex forms and vivid hues.